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By Milovan Farronato, Mendes Wood DM, São Paulo; “Lupa”, Galerie Sultana Paris, France (2015); “Chat Random”, Southard Reid, London, UK; “Paintings on Wall and Canvas”, Galleria Lorcan O’Neill, Rome; a performance and presentation of work made in Stromboli as part of Fiorucci Art Trust’s festival Forget Amnesia (2014); “Cur”, Southard Reid, London, UK and Vug, Neuer Aachener Kunstverein, Aachen, Germany (2013).
Selected forthcoming and recent group exhibitions include “The Painting Show”, British Council Touring Exhibition; “Electronic Superhighway 2016 – 1966”, Whitechapel Gallery, London; “I’m here but you’ve gone”, Fiorucci Art Trust, London; “Tomorrow: London”, South London Gallery, London; “Burning Down The House”, Gwangju Biennale and Abstract Cabinet, David Roberts Art Foundation, London, (2013).
‘What I am looking for when painting’, Hempton says, ‘is a situation more important than the painting itself.’ For her series ‘Chat Random’ (2014–ongoing), which was first shown at Southard Reid in London in 2014, the artist utilizes chatrandom.com, which connects global users via webcam – usually for the purposes of masturbation.
Hempton asks random men if she can paint them, and then, brush in one hand and typing with the other, she depicts as much of the on-screen feed as the subject’s patience – or arousal – allows.
They communicate something unknowable and ungraspable in even the frankest exposure of the body; try to clasp Kajsa (2015), and she would slip between your palms like an icicle.
Jesse Darling works as editor-at-large for The New Inquiry, publishes texts and essays when absolutely necessary, and is represented by Arcadia_Missa.
« bulgaria 25th november 2015 », 2015, Oil on linen, 25 x 30 cm. For all the flesh depicted in Celia Hempton’s portraits, sensuality is only one part of the story.
With particular attention to dance, he proposes to defuse the power relations that shape Western imaginations and to rearticulate the representations that emerge from them.
Over the past year Maheke has pursued his research initiating a series of public conversations, at Open School East, entitled “Beyond Beyoncé: Use It Like a Bumper!
A volunteer 35-year-old male has agreed to video-record his masturbation session where he uses a ball ring and masturbates his testicles.