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It’s an idea the world is still struggling to grasp and embrace, which makes Soloway’s perspectives—and, by extension, creations—doubly important.
“I see storytelling as an empathy machine,” they say.
Now, he’s back with the boys for an upcoming third season when we need it most.
For Lundberg, who grew up not even knowing trans people existed, serving as a voice for his community has been an opportunity for which he is incredibly grateful.
, a movie chronicling the iconic 1973 tennis match between Billie Jean King (played by Emma Stone) and Bobby Riggs (Steve Carell), was something of a nostalgic head trip for legendary player King.
“The film helped me stop for a few moments and really appreciate what we did back then,” she says of her pioneering crusade for equal salaries for female athletes and her role in founding the Women’s Tennis Association.
Through the process, he rediscovered himself, crafted an excellent ’80s-inspired indie pop record, and learned one vital lesson among many: “There’s no real point in anything if you’re not being yourself,” Pierce says. Photographed at Candy Studio, New York, on October 17, 2017, tells his powerful story.) Though harrowing, Hanning’s tale of loneliness and perseverance feels universal.
“No more, no less.” Photography: Roger Erickson Styling: Michael Cook Groomer: Melissa Dezarate at Art Department using Kusco Murphy Shirt: Vintage Moschino, Sweater: AMI, Jeans: A. “Our stories connect us—they make us who we are,” he says.
“Even after that, I initially found myself lowering my voice and not making eye contact with people,” he says, “but over the past year I’ve been able to fully open myself up.” Haynes’s self-actualization has reaped him benefits onscreen and off.
At 71, the filmmaking legend is busy crisscrossing continents to promote several projects, including , a 7-inch record of his 2015 commencement address at the Rhode Island School of Design (his book of the same name was released earlier this year).
He’ll follow that up with an 18-city Christmas tour and a new book, garnered seven Emmy nominations this year, marking the enduring power of a show that overhauled trans representation on TV.
His most definitive moment of 2017 was seeing President Trump throw paper towels at the victims of Hurricane Maria in Puerto Rico.
“It proved once and for all, for the entire world to see, that he’s the biggest asshole in the universe,” Waters says.